{"id":27,"date":"2010-01-06T18:39:47","date_gmt":"2010-01-06T17:39:47","guid":{"rendered":"http:\/\/wright-kolbe-film.de\/?page_id=27"},"modified":"2025-02-24T18:04:29","modified_gmt":"2025-02-24T17:04:29","slug":"ueber","status":"publish","type":"page","link":"https:\/\/wright-kolbe-film.de\/en\/ueber\/","title":{"rendered":"About"},"content":{"rendered":"\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Chris Wright<\/h2>\n\n\n\n<p>Chris Wright was born in the Northern English town of Bolton, studied in Cambridge and then at film school in Babelsberg. Since the mid-90s, he\u2019s lived in Berlin, working as an editor and documentary-maker.<br>His recent credits include Salom\u00e9 Jashi\u2019s <a href=\"https:\/\/tamingthegarden-film.com\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">Taming the Garden<\/a> (Sundance, Berlinale Forum 2021) and Thomas Heise\u2019s <a href=\"https:\/\/www.gmfilms.de\/Heimat%20ist%20ein%20Raum%20aus%20Zeit\" target=\"_blank\" rel=\"noreferrer noopener\">Heimat is a Space in Time<\/a> (Berlinale 2019, awards worldwide), which won him a nomination for the VG Bildkunst Editing Award. In 2017 he won the <a href=\"https:\/\/vimeo.com\/223588270\" target=\"_blank\" rel=\"noreferrer noopener\">German Camera Prize<\/a> in the category best feature-length editing for Susanne Binninger\u2019s <a href=\"https:\/\/oktoberfilm.de\/susanne-binninger-fighter\/\" target=\"_blank\" rel=\"noreferrer noopener\">Fighter<\/a>. In 2024 he was nominated for the German Television Prize, together with Janine Dauterich, for their work on the Netflix series <a href=\"https:\/\/www.netflix.com\/de-en\/title\/81445995\">Till Murder Do Us Part<\/a>.<br>He teaches the documentary course at the German Film and Television Academy (dffb) and works as editing consultant on documentaries and fiction films. In 2020 he joined the tutor team of <a href=\"https:\/\/dokincubator.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">dok incubator<\/a>.<\/p>\n\n\n\n<p><strong>More information about his editing work can be found <a href=\"https:\/\/wright-kolbe-film.de\/en\/chris-wright-montagen\/\" data-type=\"page\">here<\/a>.<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Stefan Kolbe<\/h2>\n\n\n\n<p>Born 1972 in Halle, East Germany.<br>Studied film in Potsdam-Babelsberg.<br>documentary-maker and cameraman.<br>Lives in Franzigmark, Berlin and Uckermark.<br>He has a son and a daughter.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" 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[];\n\t\t\t\twindow.masterslider_instances.push( masterslider_41e8 );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:200px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-left\"><span style=\"color: #393939;\"><span style=\"color: #ffffff;\">____________________________________________<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chris Wright Chris Wright was born in the Northern English town of Bolton, studied in Cambridge and then at film school in Babelsberg. Since the mid-90s, he\u2019s lived in Berlin, working as an editor and documentary-maker.His recent credits include Salom\u00e9 Jashi\u2019s Taming the Garden (Sundance, Berlinale Forum 2021) and Thomas Heise\u2019s Heimat is a Space&hellip;&nbsp;<a href=\"https:\/\/wright-kolbe-film.de\/en\/ueber\/\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">About<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":30,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"class_list":["post-27","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/pages\/27","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/comments?post=27"}],"version-history":[{"count":117,"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/pages\/27\/revisions"}],"predecessor-version":[{"id":5003,"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/pages\/27\/revisions\/5003"}],"wp:attachment":[{"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/media?parent=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}