{"id":2931,"date":"2021-02-06T16:27:41","date_gmt":"2021-02-06T15:27:41","guid":{"rendered":"http:\/\/wright-kolbe-film.de\/?page_id=2931"},"modified":"2025-02-24T19:02:21","modified_gmt":"2025-02-24T18:02:21","slug":"chris-wright-montagen","status":"publish","type":"page","link":"https:\/\/wright-kolbe-film.de\/en\/chris-wright-montagen\/","title":{"rendered":"Chris Wright Editing"},"content":{"rendered":"\n<p><strong>Download Chris Wright&#8217;s Vita and Filmography (<a href=\"https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2025\/02\/Vita-Chris-Wright-WEB-neu.pdf\">German<\/a>) (<a href=\"https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2025\/02\/Vita-Chris-Wright-ENG-WEB-neu.pdf\">English<\/a>)<\/strong><\/p>\n\n\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">TILL MURDER DO US PART: SOERING vs HAYSOM<\/h2>\n\n\n\n<p>4-part documentary series &#8211; UHD &#8211; <a href=\"https:\/\/www.netflix.com\/de\/title\/81445995\">Netflix<\/a> (Produced by Fruitmarket) 2023 &#8211; Directors: Andr\u00e9 H\u00f6rmann, Lena Leonhardt (joint lead editor, with Janine Dauterich)<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2023\/11\/Netflix-SOE.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1052\" height=\"823\" src=\"https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2023\/11\/Netflix-SOE.jpg\" alt=\"\" class=\"wp-image-4796\" srcset=\"https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2023\/11\/Netflix-SOE.jpg 1052w, https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2023\/11\/Netflix-SOE-150x117.jpg 150w, https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2023\/11\/Netflix-SOE-768x601.jpg 768w, https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2023\/11\/Netflix-SOE-200x156.jpg 200w\" sizes=\"auto, (max-width: 1052px) 100vw, 1052px\" \/><\/a><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Nominated for the German Television Award 2024, Best Editing (Doc Series)<\/strong><\/p>\n\n\n\n<p>This gripping true-crime love story focuses on a brutal double murder in the US in 1985. Did the German diplomat&#8217;s son Jens Soering kill his girlfriend&#8217;s parents? Or was her part in the crime bigger than she admits?<\/p>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">ICH DU WIR &#8211; Wer pflegt wen? (Who Nurses Whom?)<\/h2>\n\n\n\n<p>84 Min &#8211; UHD &#8211; Colour &#8211; Germany 2023 &#8211; Director: Susanne Binninger &#8211; <a href=\"https:\/\/www.3sat.de\/film\/dokumentarfilm\/ichduwir--wer-pflegt-wen-100.html\">WATCH HERE<\/a> (German only)<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"674\" src=\"https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2023\/11\/3sat-IchDuWir-1.jpg\" alt=\"\" class=\"wp-image-4799\" srcset=\"https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2023\/11\/3sat-IchDuWir-1.jpg 1200w, https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2023\/11\/3sat-IchDuWir-1-150x84.jpg 150w, https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2023\/11\/3sat-IchDuWir-1-768x431.jpg 768w, https:\/\/wright-kolbe-film.de\/wp-content\/uploads\/2023\/11\/3sat-IchDuWir-1-200x112.jpg 200w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Nominated for the Grimme Prize 2024, Information and Culture<\/strong><\/p>\n\n\n\n<p>At some points in our lives, all of us depend on someone to look after us. But care work in Germany is marked by huge social injustices. Susanne Binnniger&#8217;s film focuses on 5 protagonists, highlighting these injustices through their moving personal stories.<\/p>\n\n\n\n<div style=\"height:63px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">TAMING THE GARDEN<\/h2>\n\n\n\n<p><a name=\"1\"><\/a>90 Min &#8211; HD &#8211; DCP &#8211; Colour &#8211; Switzerland\/Germany\/Georgia 2021 &#8211; Director: Salom\u00e9 Jashi<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Taming the Garden\" src=\"https:\/\/player.vimeo.com\/video\/501712377?dnt=1&amp;app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n<p><a class=\"spoiler_link_show\" href=\"javascript:void(0)\" onclick=\"wpSpoilerToggle(document.getElementById('id2097355820'), this, 'more mehr', 'less weniger')\">more mehr<\/a>\n<div class=\"spoiler_div\" id=\"id2097355820\" style=\"display:none\"><br \/>\n&nbsp;<br \/>\nA powerful man, who is also the former prime minister of Georgia, has developed an exquisite hobby. He collects century old trees along Georgia\u2019s coastline. He commissions his men to uproot them and bring them to his private garden. Some of these trees are as tall as 15-floor-buildings. And in order to transplant a tree of such dimensions some other trees are chopped down, electric cables are shifted and new roads are paved through mandarine plantations.<br \/>\nThe film moves the concept of uprooting from its metaphorical meaning into an oppressive, tangible and yet surreal reality.<br \/>\n&nbsp;<br \/>\nWritten &amp; Directed by Salom\u00e9 Jashi<br \/>\nProducers Vadim Jendreyko, Erik Winker, Martin Roelly, Salom\u00e9 Jashi<br \/>\nCamera Goga Devdariani, Salom\u00e9 Jashi<br \/>\nEditor Chris Wright<br \/>\nSound Design Philippe Ciompi<br \/>\nMusic Supervisor Celia Stroom<br \/>\nResearcher Tamara Mshvenieradze<br \/>\nLine Producer Pascal More<br \/>\nAssociate Producers Hercli Bundi, Susanne Guggenberger, \u00dcmit Uludag, Anna Dziapshipa<\/p>\n<p>A Coproduction of Mira Film, CORSO Film, Sakdoc Film<br \/>\nFunded by Federal Office for Culture Switzerland (FOC), Film- und Medienstiftung NRW, Eurimages, Fachausschuss Film and Medienkunst BS \/ BL, Georgian National Film Center, IDFA Bertha Fund, Succ\u00e8s Passage Antenne, SRG SSR<\/p>\n<p>Website <a href=\"https:\/\/tamingthegarden-film.com\/en\/\"><span style=\"color: #393939;\">Taming the Garden<\/span><\/a><\/p>\n<p>Festivals<br \/>\nSundance (World Premiere)<br \/>\nBerlinale 2021, Forum<br \/>\nCin\u00e9ma du r\u00e9el, Paris<br \/>\n&nbsp;<\/p>\n<p><\/div>\n<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">HEIMAT IS A SPACE IN TIME (HEIMAT IST EIN RAUM AUS ZEIT)<\/h2>\n\n\n\n<p> 218 Min &#8211; HD &#8211; DCP &#8211; Colour and b\/w &#8211; Germany\/Austria 2019 &#8211; Director: Thomas Heise<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"HEIMAT IS A SPACE IN TIME Trailer\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/GFSBgqHQdCk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Chris Wright, nominated for Best Editing (Documentary) at Edimotion Festival Cologne<\/strong><br><strong>German Documentary Film Prize, Caligari Film Prize, Grand Prize at Visions du R\u00e9el, Austrian Film Critics&#8217; Prize, Chantal Akerman Award Jerusalem Film Festival<\/strong><\/p>\n\n\n<p><a class=\"spoiler_link_show\" href=\"javascript:void(0)\" onclick=\"wpSpoilerToggle(document.getElementById('id864908586'), this, 'more mehr', 'less weniger')\">more mehr<\/a>\n<div class=\"spoiler_div\" id=\"id864908586\" style=\"display:none\"><br \/>\n&nbsp;<br \/>\nWhat remains? Biographies leave traces. The passage of time does too. The relationship between these is one theme of Thomas Heise&#8217;s &#8220;Heimat is a Space in Time.&#8221;<br \/>\nThe film follows biographical traces of a scattered family from the end of the 19th century, through the 20th and beyond. They are people who chanced across each other, then lost each other again. Whose children and grandchildren are now themselves passing. They speak and they are silent. Experience first love and lost happiness. Fathers, mothers, sons, brothers, affairs, hurt and joy in changing landscapes which carry in them various, intertwined traces of the ages. A collage of images, sounds, letters, diaries, notes, sounds, voices, fragments. &#8220;Heimat is a Space in Time&#8221; is a reflection on time and love within it, on our human nature, in sounds, images and languages. There is always something left which doesn&#8217;t fit.<br \/>\n&nbsp;<br \/>\nProducer Heino Deckert<br \/>\nWritten &amp; Directed by Thomas Heise<br \/>\nVoice Thomas Heise<br \/>\nCamera <a href=\"https:\/\/www.stefanneuberger.com\/\"><span style=\"color: #393939;\">Stefan Neuberger<\/span><\/a><br \/>\nAdditional Camera (Berlin) Peter Badel, B\u00f6rres Weiffenbach<br \/>\nCamera Assistant Austria Christoph Varga<br \/>\nSound Johannes Schmelzer-Ziringer<br \/>\nSound Design Markus Krohn<br \/>\nMix Martin Steyer<br \/>\nEditor Chris Wright<br \/>\nAssistant Editor Conny Albrecht<br \/>\nAssistant to the Director Georg Oberhumer<br \/>\nColour Correction Stefan Neuberger<br \/>\nBookkeeping Barbara Konsek, Monika Lendl<br \/>\nLine Producers Prisca Beyer, Hanne Lassl<br \/>\nAssociated Producers Tina B\u00f6rner, Katharina Mosser<br \/>\nCoproducers Johannes Holzhausen, Johannes Rosenberger, Constantin Wulff<br \/>\nPostproduction Supervisor Ren\u00e9 Fr\u00f6lke<br \/>\nMastering and DCP Paul Sch\u00f6n<br \/>\nProduction Assistants Emilie Dauptain, Vaidute Fischer<\/p>\n<p>Website <a href=\"https:\/\/www.gmfilms.de\/Heimat%20ist%20ein%20Raum%20aus%20Zeit\"><span style=\"color: #393939;\">Heimat ist ein Raum aus Zeit<\/span><\/a><\/p>\n<p>Festivals<br \/>\n2020<br \/>\ndeutscher filmpreis &#8211; nominated<br \/>\npreis der \u00f6sterreichischen filmkritik &#8211; papierener gustl &#8211; best documentary<br \/>\npreis der deutschen filmkritik &#8211; best documentary<\/p>\n<p>2019<br \/>\nberlinale forum &#8211; caligari filmpreis<br \/>\nvisions du reel &#8211; grand prix de la comp\u00e9tition internationale<br \/>\ncrossing europe &#8211; best documentary<br \/>\njeonju iff &#8211; (frontline)<br \/>\nbel docs &#8211; (meteors)<br \/>\nswr doku festival &#8211; deutscher dokumentarfilmpreis<br \/>\nfid marseille &#8211; (masterclass)<br \/>\nkarlovy vary film festival &#8211; (imagina)<br \/>\njerusalem film festival &#8211; chantal akerman award<br \/>\njerusalem film festival &#8211; avner shalev &#8211; yad vashem chairman\u2019s award<br \/>\nduisburger filmwoche &#8211; nomination<br \/>\nnew york film festival &#8211; (projections)<br \/>\nfestival des deutschen films paris<br \/>\nmessage to man international film festival<br \/>\neuropean film award &#8211; documentary selection<br \/>\npacific meridian film festival<br \/>\ntoronto international film festival<br \/>\ndokufest prizren<br \/>\nlussas documentary film festival<br \/>\nmontreal international documentary festival &#8211; special jury prize<br \/>\ninternational documentary film festival amsterdam (focus: it still hurts)<br \/>\nmuestra de cine de lanzarote &#8211; jury prize<br \/>\n&nbsp;<\/p>\n<p><\/div>\n<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">THE COMMUNIST (DER FUNKTION\u00c4R)<\/h2>\n\n\n\n<p>72 Min &#8211; HD &#8211; DCP &#8211; Colour and b\/w &#8211; Germany 2018 &#8211; Director: Andreas Goldstein<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Der Funktionar Trailer Salzgeber\" src=\"https:\/\/player.vimeo.com\/video\/1059807484?dnt=1&amp;app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Prize of the City of Duisburg, Duisburg Film Week<\/strong><\/p>\n\n\n<p><a class=\"spoiler_link_show\" href=\"javascript:void(0)\" onclick=\"wpSpoilerToggle(document.getElementById('id690990621'), this, 'more mehr', 'less weniger')\">more mehr<\/a>\n<div class=\"spoiler_div\" id=\"id690990621\" style=\"display:none\"><br \/>\n&nbsp;<br \/>\nThe \u201cFilm about the Father\u201d is a difficult genre. Andreas Goldstein, son of the GDR cultural functionary Klaus Gysi (1912\u20131999) has tackled this task with a complete lack of vanity, but with insistence: measured and calm, honest and intellectual, analytical and personal. He uncovers a mosaic that renounces both the teleologies of the self-styled winners of history and the simplifications of (West) German Oscar nominees. This film is not about the lives of others, but about his own life. Not about yesterday, about today, too.<br \/>\nThe focus is on the father and his lifelong ambition to found a social order in which \u201cspirit and power are in complete agreement\u201d. It\u2019s on the primal scene of the Jewish intellectual (the sight of a dead worker), the career of an SED Party communist (head of a publishing house, cultural minister, ambassador, state secretary for church matters), insights into a driven private life. Part of this \u201ccommunist genealogy\u201d himself, Goldstein comments own photos, found television material and images from Berlin (then, today) from offscreen, setting a high standard for a re-evaluation of the state that will always be his origin: \u201cWe would reject questions about the legitimacy of our present existence. How come we ask them about the past all the time?\u201d<br \/>\n(Barbara Wurm, Catalogue DOK Leipzig 2018<\/p>\n<p>&nbsp;<br \/>\nProducers Heino Deckert, Andreas Goldstein<br \/>\nWritten &amp; Directed by Andreas Goldstein<br \/>\nCamera Jakobine Motz<br \/>\nEditor Chris Wright<\/p>\n<p>Webseite <a href=\"https:\/\/oktoberfilm.de\/bilder-meines-vaters\/\"><span style=\"color: #393939;\">The Communist<\/span><\/a><\/p>\n<p>Festivals &amp; Awards<br \/>\nDOK Leipzig 2018 (German Competition)<br \/>\nDuisburger Filmwoche &#8211; Prize of the Town of Duisburg<br \/>\n&nbsp;<\/p>\n<p><\/div>\n<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">FIGHTER<\/h2>\n\n\n\n<p>100 Min &#8211; HD &#8211; DCP &#8211; Colour &#8211; Germany 2016 &#8211; Director: Susanne Binninger<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"fighter_trailer_1280x0720\" src=\"https:\/\/player.vimeo.com\/video\/1059800889?dnt=1&amp;app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p><strong><a href=\"https:\/\/vimeo.com\/223588270\" target=\"_blank\" rel=\"noreferrer noopener\">Chris Wright<\/a>, Winner of the <a href=\"https:\/\/www.deutscher-kamerapreis.de\/preistraeger\/chris-wright-langformat\/\" target=\"_blank\" rel=\"noreferrer noopener\">German Camera Award for Best Feature-Length Editing 2017<\/a><\/strong><\/p>\n\n\n<p><a class=\"spoiler_link_show\" href=\"javascript:void(0)\" onclick=\"wpSpoilerToggle(document.getElementById('id763021711'), this, 'more mehr', 'less weniger')\">more mehr<\/a>\n<div class=\"spoiler_div\" id=\"id763021711\" style=\"display:none\"><br \/>\n&nbsp;<br \/>\n&#8220;Big Daddy&#8221;, &#8220;Leon&#8221; and &#8220;Warrior&#8221; \u2013 they are the fighting names of these young men in the MMA ring. The abbreviation stands for Mixed Martial Arts &#8211; where everything goes, from wrestling to kickboxing and karate. They kick, punch and pummel their opponent, even when he&#8217;s down. Now, a woman has portrayed this very particular world, the film-maker Susanne Binninger, with a real fascination. She examines what drives these men to this unappetizing sport, where they let their bodies be beaten bloody in a cage. What kind of men are they? Her film is on the one hand a look at the laws that govern our neo-liberal societies, and not just superficially &#8211; might as right, the ability of the individual to force his way past others &#8211; on the biggest of stages, before a crowd thirsting for spectacle. But secondly, &#8220;Fighter&#8221; is also a film about the martial arts as a spiritual experience, as an inner passage. And about the image of masculinity and the cliches that go with that.<br \/>\n(R\u00fcdiger Suchsland, Kulturthema SWR2)<\/p>\n<p>&nbsp;<br \/>\nWritten &amp; Directed by Susanne Binninger<br \/>\nCamera Marcus Lenz<br \/>\nSound Alexander Czart<br \/>\nEditing Chris Wright<br \/>\nMusic J\u00f6rg Follert<\/p>\n<p>Additional Camera Henning Drechsler, Patrick Waldmann, Sandeep Mehta, Jasenko Rasol<br \/>\nAdditional Editing Sandeep Mehta<br \/>\nAdditional Sound Christoph Mohr, Carlos de Albuquerque<br \/>\nPostproduction Sound Torus GmbH K\u00f6ln<br \/>\nSound Design Jan Petzold<br \/>\nMix Matthias Schwab<br \/>\nPostproduction Image Farbkult Cologne, Studio Mitte Berlin<br \/>\nColour Grading Christine Hiam<br \/>\nGraphic Design Thomas Schmidl<\/p>\n<p>Associate Producer Florian-Malte Fimpel<br \/>\nProducers Erik Winker, Martin Roelly<br \/>\nCommissioning Editor Daniel Sch\u00f6ssler (ZDF\/3 sat)<br \/>\nProduction CORSO Film Cologne (Erik Winker)<br \/>\nDevelopment supported by Gerd Ruge-Project Grant of the Film und Medienstiftung NRW<br \/>\nProduction funded by Film- und Medienstiftung NRW and FFA<br \/>\nIn Coproduction with 3sat<\/p>\n<p>Website <a href=\"https:\/\/oktoberfilm.de\/susanne-binninger-fighter\/\"><span style=\"color: #393939;\">Fighter<\/span><\/a><\/p>\n<p>Festivals &amp; Awards<br \/>\nWorld Premiere DOK Leipzig 2016 \/ International Programm<br \/>\nAwarded with the Prize \u201eGedanken-Aufschluss\u201c of the Prison Inmates at Regis-Breitingen<br \/>\nAwarded the German Camera Prize 2017 for Best Feature-Length Editing (Chris Wright)<br \/>\nLonglisted for the German Film Prize 2018<br \/>\n&nbsp;<\/p>\n<p><\/div>\n<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Download Chris Wright&#8217;s Vita and Filmography (German) (English) TILL MURDER DO US PART: SOERING vs HAYSOM 4-part documentary series &#8211; UHD &#8211; Netflix (Produced by Fruitmarket) 2023 &#8211; Directors: Andr\u00e9 H\u00f6rmann, Lena Leonhardt (joint lead editor, with Janine Dauterich) Nominated for the German Television Award 2024, Best Editing (Doc Series) This gripping true-crime love story&hellip;&nbsp;<a href=\"https:\/\/wright-kolbe-film.de\/en\/chris-wright-montagen\/\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">Chris Wright Editing<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"class_list":["post-2931","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/pages\/2931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/comments?post=2931"}],"version-history":[{"count":63,"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/pages\/2931\/revisions"}],"predecessor-version":[{"id":5016,"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/pages\/2931\/revisions\/5016"}],"wp:attachment":[{"href":"https:\/\/wright-kolbe-film.de\/en\/wp-json\/wp\/v2\/media?parent=2931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}